小票视觉合羽桥道具街记录

作品简介: 我用收据再现了合羽桥（日本东京地名）的厨房器具街。通过传票的表格结构来表现店内的混沌与有序的系统，不只是用视觉，而是调动其他感官来解构空间，并将其传达为一个故事。通过描绘每家店铺的独特之处，商品与店员的动作仿佛被赋予了生命，在表格中孕育出新的叙事。即便是尚未书写的传票上，也已经弥漫着生活的气息。我只是借助了这种力量，把我在合羽桥看到的世界密密麻麻地记录下来，之后只是作为一个旁观者去观察由此产生的结果。

Description: I recreated Kappabashi’s kitchenware street using receipts. By employing the tabular structure of invoices, I sought to express both the chaos and the order of the shops, deconstructing the space not only visually but also through other senses, and conveying it as a narrative. By depicting the uniqueness of each store, the goods and the movements of the shop staff seem to come alive, giving birth to new stories within the grid of the forms. Even on receipts that remain unwritten, the atmosphere of everyday life already lingers. I merely borrowed this force, densely recording the world I saw in Kappabashi, and afterwards stood back as an observer, watching the results that emerged.

作品简介: 我用收据再现了合羽桥（日本东京地名）的厨房器具街。通过传票的表格结构来表现店内的混沌与有序的系统，不只是用视觉，而是调动其他感官来解构空间，并将其传达为一个故事。通过描绘每家店铺的独特之处，商品与店员的动作仿佛被赋予了生命，在表格中孕育出新的叙事。即便是尚未书写的传票上，也已经弥漫着生活的气息。我只是借助了这种力量，把我在合羽桥看到的世界密密麻麻地记录下来，之后只是作为一个旁观者去观察由此产生的结果。

Description: I recreated Kappabashi’s kitchenware street using receipts. By employing the tabular structure of invoices, I sought to express both the chaos and the order of the shops, deconstructing the space not only visually but also through other senses, and conveying it as a narrative. By depicting the uniqueness of each store, the goods and the movements of the shop staff seem to come alive, giving birth to new stories within the grid of the forms. Even on receipts that remain unwritten, the atmosphere of everyday life already lingers. I merely borrowed this force, densely recording the world I saw in Kappabashi, and afterwards stood back as an observer, watching the results that emerged.

小票视觉 合羽桥道具街记录