工具－绘图－图像

作品简介: 在平面设计中，往往更看重“完成后的形式”，但我认为，背后的“工具”以及“描绘这一行为本身”同样具有重要意义。因此，我尝试自己制作专属的绘图工具，并将创作过程中自然生成的形状作为作品加以呈现。在制作中我应用了“连杆机构（link mechanism）”，设计出一种能够通过支柱与固定针，将图形的运动从操作面传导到绘图空间的装置。由此画出的线条具有某种有机性，仿佛带着生命的气息。即使是机械式的运动，也暗含着与自然、身体之间的呼应。对于我来说，“描绘形状”本身，就是与世界的一种对话。

Description: In graphic design, greater emphasis is often placed on the “final form,” but I believe that the “tools” behind it and the very “act of drawing” are equally important. For this reason, I attempted to create my own drawing tools and present the naturally generated forms from the creative process as works themselves. In production, I applied a link mechanism, designing a device that transmits the movement of drawing from the operating surface to the drawing space through pillars and fixed pins. The resulting lines carry an organic quality, as if imbued with a sense of life. Even mechanical movements subtly resonate with nature and the body. For me, the act of “drawing shapes” itself is a form of dialogue with the world.

作品简介: 在平面设计中，往往更看重“完成后的形式”，但我认为，背后的“工具”以及“描绘这一行为本身”同样具有重要意义。因此，我尝试自己制作专属的绘图工具，并将创作过程中自然生成的形状作为作品加以呈现。在制作中我应用了“连杆机构（link mechanism）”，设计出一种能够通过支柱与固定针，将图形的运动从操作面传导到绘图空间的装置。由此画出的线条具有某种有机性，仿佛带着生命的气息。即使是机械式的运动，也暗含着与自然、身体之间的呼应。对于我来说，“描绘形状”本身，就是与世界的一种对话。

Description: In graphic design, greater emphasis is often placed on the “final form,” but I believe that the “tools” behind it and the very “act of drawing” are equally important. For this reason, I attempted to create my own drawing tools and present the naturally generated forms from the creative process as works themselves. In production, I applied a link mechanism, designing a device that transmits the movement of drawing from the operating surface to the drawing space through pillars and fixed pins. The resulting lines carry an organic quality, as if imbued with a sense of life. Even mechanical movements subtly resonate with nature and the body. For me, the act of “drawing shapes” itself is a form of dialogue with the world.

平川 航太