- 作品名
-
三种源于起点的构成 退化的构成
- 作者名
-
森岛 洸
- 制作年份
- 2022
- 指导教授
- 原 研哉
- 作品简介
- 我以植物的形态为素材,通过三种方法“构筑退行”。在必须使用原始形态进行变形的限制下,我缓慢地将其破坏,并重新构建成如同另一种生命般的形态。通过创造不存在的虚构退行,将那些因不断变化而无法被捕捉、也无法为人类之手所掌控的瞬间或类似生命的存在,重构为我心中浮现出的虚构新生命形态。 Discopy - 反反复 -:通过不断复制那些不可能被完全复制的事物,使原本的形态逐渐消失的退行。 Deviation - 逸脱 -:持续赋予某个变量,使形态朝特定方向偏向、逸脱的退行。 Deconstruction - 脱构筑 -:一边破坏结构,一边创造出不同结构的过程。
- Title
-
Three Types of the Construction from the Origin:Construction of Degeneration
- Artist
-
Ko Morishima
- Year
- 2022
- Supervising
- Kenya Hara
- Description
- Using plant forms as material, I explored “constructing degeneration” through three methods. Under the constraint of deforming while preserving the original form, I slowly dismantled it and reconstructed it into shapes resembling another kind of life. By creating fictional forms of degeneration that do not exist, I sought to reconstruct fleeting, life-like existences—those that cannot be captured or controlled by human hands due to their constant transformations—into imaginary new life forms that emerged in my mind. Discopy : A degeneration in which the original form gradually disappears by repeatedly copying what can never be perfectly copied. Deviation : A degeneration where a variable is continuously applied, causing the form to incline and deviate in a specific direction. Deconstruction : A process of simultaneously dismantling a structure while generating a different one.
- 作品名/Title
-
三种源于起点的构成 退化的构成Three Types of the Construction from the Origin:Construction of Degeneration
- 作者名/Artist
-
森岛 洸Ko Morishima
- 制作年份/Year
- 2022
- 指导教授/Supervising
- 原 研哉/Kenya Hara
- 作品简介
- 我以植物的形态为素材,通过三种方法“构筑退行”。在必须使用原始形态进行变形的限制下,我缓慢地将其破坏,并重新构建成如同另一种生命般的形态。通过创造不存在的虚构退行,将那些因不断变化而无法被捕捉、也无法为人类之手所掌控的瞬间或类似生命的存在,重构为我心中浮现出的虚构新生命形态。 Discopy - 反反复 -:通过不断复制那些不可能被完全复制的事物,使原本的形态逐渐消失的退行。 Deviation - 逸脱 -:持续赋予某个变量,使形态朝特定方向偏向、逸脱的退行。 Deconstruction - 脱构筑 -:一边破坏结构,一边创造出不同结构的过程。
- Description
- Using plant forms as material, I explored “constructing degeneration” through three methods. Under the constraint of deforming while preserving the original form, I slowly dismantled it and reconstructed it into shapes resembling another kind of life. By creating fictional forms of degeneration that do not exist, I sought to reconstruct fleeting, life-like existences—those that cannot be captured or controlled by human hands due to their constant transformations—into imaginary new life forms that emerged in my mind. Discopy : A degeneration in which the original form gradually disappears by repeatedly copying what can never be perfectly copied. Deviation : A degeneration where a variable is continuously applied, causing the form to incline and deviate in a specific direction. Deconstruction : A process of simultaneously dismantling a structure while generating a different one.