- 作品名
-
武藏野美术大学基础设计系课题 字体研究a
- 作者名
-
学生作品
- 制作年份
- 2025
- 指导教授
- 板东 孝明
- 作品简介
- 所谓的“排版”，原本是指通过活版印刷与文字编排所形成的平面构成。在本研究中，将其以更广义的角度来理解，旨在探索空间中的“诗性创造”的生成。这是一种把音乐的节奏、旋律和拍子扩展到文字编排与空间构成之中的尝试。
- Title
-
Practice of Musashino Art University Science of Design Department : Typography Study A
- Artist
-
Student Work
- Year
- 2025
- Supervising
- Takaaki Bando
- Description
- Typography originally referred to the planar composition created through letterpress printing and the arrangement of text. In this study, it is interpreted in a broader sense, with the aim of exploring the generation of poiesis—poetic creation—within space. This is an attempt to expand musical elements such as rhythm, melody, and tempo into the realms of typographic arrangement and spatial composition.
- 作品名／Title
-
武藏野美术大学基础设计系课题 字体研究aPractice of Musashino Art University Science of Design Department : Typography Study A
- 作者名／Artist
-
学生作品Student Work
- 制作年份／Year
- 2025
- 指导教授／Supervising
- 板东 孝明／Takaaki Bando
- 作品简介
- 所谓的“排版”，原本是指通过活版印刷与文字编排所形成的平面构成。在本研究中，将其以更广义的角度来理解，旨在探索空间中的“诗性创造”的生成。这是一种把音乐的节奏、旋律和拍子扩展到文字编排与空间构成之中的尝试。
- Description
- Typography originally referred to the planar composition created through letterpress printing and the arrangement of text. In this study, it is interpreted in a broader sense, with the aim of exploring the generation of poiesis—poetic creation—within space. This is an attempt to expand musical elements such as rhythm, melody, and tempo into the realms of typographic arrangement and spatial composition.