武藏野美术大学基础设计系课题形态论Ⅰ

作品简介: 课题1 使用Illustrator制作点状字体。特别讲究的是为了让字体看起来像散落的石子，大小不同的圆点被均衡排列，制作了自定义网格。困难之处在于制作自定义网格时，所有圆点尺寸都不相同，为了观察整体平衡，反复制作并删除文字，进行了多次调整。课题2 从描摹开始制作文字忠实描摹建筑照片，从中提取元素并组合，制作字体。即使形态有所破损，也保留建筑作为建筑的身份特征，旨在让人感受到我对建筑的迷恋。一边猜测组合的元素属于建筑的哪一部分，一边观看会更加有趣。另外，作品中也部分使用了街头广告，欢迎关注细节部分。

Title: Practice of Musashino Art University Science of Design Department : Morphology I

Description: The first assignment of Morphology I was to create a dotted typeface using Illustrator. Particular attention was given to making the letters resemble scattered pebbles: circles of varying sizes were evenly arranged by constructing a custom grid. The difficulty lay in the fact that no two dots were the same size, requiring repeated adjustments—creating and deleting letters multiple times—to achieve an overall balance. The second assignment was to create letters starting from tracing. By faithfully tracing architectural photographs, extracting and recombining their elements, a typeface was produced. Even when the forms were partially broken, the identity of architecture remained, expressing a fascination with buildings. It invites viewers to guess which parts of the letters correspond to which architectural elements, making the observation more engaging. Some street advertisements were also incorporated—encouraging attention to the details.

作品名／Title: 武藏野美术大学基础设计系课题形态论Ⅰ

Practice of Musashino Art University Science of Design Department : Morphology I

作品简介: 课题1 使用Illustrator制作点状字体。特别讲究的是为了让字体看起来像散落的石子，大小不同的圆点被均衡排列，制作了自定义网格。困难之处在于制作自定义网格时，所有圆点尺寸都不相同，为了观察整体平衡，反复制作并删除文字，进行了多次调整。课题2 从描摹开始制作文字忠实描摹建筑照片，从中提取元素并组合，制作字体。即使形态有所破损，也保留建筑作为建筑的身份特征，旨在让人感受到我对建筑的迷恋。一边猜测组合的元素属于建筑的哪一部分，一边观看会更加有趣。另外，作品中也部分使用了街头广告，欢迎关注细节部分。

Description: The first assignment of Morphology I was to create a dotted typeface using Illustrator. Particular attention was given to making the letters resemble scattered pebbles: circles of varying sizes were evenly arranged by constructing a custom grid. The difficulty lay in the fact that no two dots were the same size, requiring repeated adjustments—creating and deleting letters multiple times—to achieve an overall balance. The second assignment was to create letters starting from tracing. By faithfully tracing architectural photographs, extracting and recombining their elements, a typeface was produced. Even when the forms were partially broken, the identity of architecture remained, expressing a fascination with buildings. It invites viewers to guess which parts of the letters correspond to which architectural elements, making the observation more engaging. Some street advertisements were also incorporated—encouraging attention to the details.

武藏野美术大学基础设计系课题 形态论Ⅰ