存在于此

作品简介: 本作品以“水”为媒介，通过呈现与日常所见不同的水的形态与运动，重新审视我们对物质的认知。作品通过展现水本身的“作为物质的状态”，以及由其形状和动态所联想到的“影像感”“虚拟感”等特质，制造出人们已知的“水的印象”与眼前所呈现之“水的样态”之间的认知差异。不仅让观者亲眼见证水的形态发生变化，带来对“物质未知状态”的直观体验，更进一步促使人们思考：我们究竟是如何认知物质的。

Description: This work uses water as its medium, presenting forms and movements different from those we usually encounter in daily life, in order to reconsider our perception of matter. By revealing both the “state of water as a material” itself and the qualities it evokes—such as “imagery” and “virtuality” derived from its forms and dynamics—the work creates a cognitive gap between the familiar “impression of water” and the actual “appearance of water” before our eyes. Not only does it allow viewers to witness water’s transformations and experience directly the “unknown states of matter,” but it also further prompts reflection on the question: how do we, in fact, perceive material existence?

作品简介: 本作品以“水”为媒介，通过呈现与日常所见不同的水的形态与运动，重新审视我们对物质的认知。作品通过展现水本身的“作为物质的状态”，以及由其形状和动态所联想到的“影像感”“虚拟感”等特质，制造出人们已知的“水的印象”与眼前所呈现之“水的样态”之间的认知差异。不仅让观者亲眼见证水的形态发生变化，带来对“物质未知状态”的直观体验，更进一步促使人们思考：我们究竟是如何认知物质的。

Description: This work uses water as its medium, presenting forms and movements different from those we usually encounter in daily life, in order to reconsider our perception of matter. By revealing both the “state of water as a material” itself and the qualities it evokes—such as “imagery” and “virtuality” derived from its forms and dynamics—the work creates a cognitive gap between the familiar “impression of water” and the actual “appearance of water” before our eyes. Not only does it allow viewers to witness water’s transformations and experience directly the “unknown states of matter,” but it also further prompts reflection on the question: how do we, in fact, perceive material existence?

芹泽 碧