- 作品简介
- 在展览开幕期间的 9 月 26 日与 27 日两天，大原大次郎进行了现场表演。围绕“工具”“时间”“环境”“协作”等关键词，他以“摸索”“手的游戏”“手的回馈”等与“手”相关的行为作为母题，对展览主题《形态的诗学》作出回应，并在一块长达 10 米的画布上展开即兴的书写与绘制。
- Description
- During the exhibition opening on September 26 and 27, Daijiro Ohara presented a live performance. Guided by the keywords “tools,” “time,” “environment,” and “collaboration,” he used actions related to the hand—such as “groping,” “hand play,” and “tactile response”—as his motif to respond to the exhibition theme Morphopoiesis. On a ten-meter-long canvas, he carried out an improvised process of writing and drawing.
- 作者名／Artist
-
大原 大次郎
Daijiro Ohara
- 作品简介
- 在展览开幕期间的 9 月 26 日与 27 日两天，大原大次郎进行了现场表演。围绕“工具”“时间”“环境”“协作”等关键词，他以“摸索”“手的游戏”“手的回馈”等与“手”相关的行为作为母题，对展览主题《形态的诗学》作出回应，并在一块长达 10 米的画布上展开即兴的书写与绘制。
- Description
- During the exhibition opening on September 26 and 27, Daijiro Ohara presented a live performance. Guided by the keywords “tools,” “time,” “environment,” and “collaboration,” he used actions related to the hand—such as “groping,” “hand play,” and “tactile response”—as his motif to respond to the exhibition theme Morphopoiesis. On a ten-meter-long canvas, he carried out an improvised process of writing and drawing.
