- 直观 Anschauung (graduate work)
- 形态 morph (Experience)
- 广告视频 Advertising Video (Image)
- 作品简介
- 外部世界会随着观察角度和时间的推移而变化。通过视网膜看到的世界,不过是有限且不完整的影像连续体。然而,我们的意识会将这些影像整合并整理。即使无法掌握物体的所有面貌,意识也会用独特的方式描绘物体。它将零散的信息和差异按时间顺序排列,作为一连串的流动来解读物体的变化。 通过这样的过程,物体的形态在个人的认知中逐渐成型。映在视网膜上的一系列影像成为构成物体的线索,经过解读,个人的视觉体验得以生成。当时间被遗忘、思绪消散,唯有物体本身留下。 本作品的造型正是为“运动”而创作。无数线条汇聚,产生了一个独特的动作姿态。
- Title
-
Forms in Perception
- Description
- The external world changes with shifts in perspective and the passage of time. What the retina perceives is only a limited and incomplete continuum of images. Yet our consciousness integrates and organizes these images. Even without grasping every aspect of an object, consciousness depicts it in its own unique way—arranging fragments of information and differences in chronological order, interpreting them as a flow that reveals the object’s transformation. Through this process, the form of an object gradually takes shape within personal cognition. The sequence of images imprinted on the retina becomes a clue to constructing the object; once interpreted, it generates an individual’s visual experience. When time is forgotten and thoughts dissolve, only the object itself remains. This work’s form was created for movement: countless lines converge to generate a unique posture in motion.
- 作品名/Title
-
感知中的形态
Forms in Perception
- 作者名/Artist
-
Park Dongwon
Park Dongwon
- 制作年份/Year
- 2019
- 指导教授/Supervising
- 田中 良治/Ryoji Tanaka
- 作品简介
- 外部世界会随着观察角度和时间的推移而变化。通过视网膜看到的世界,不过是有限且不完整的影像连续体。然而,我们的意识会将这些影像整合并整理。即使无法掌握物体的所有面貌,意识也会用独特的方式描绘物体。它将零散的信息和差异按时间顺序排列,作为一连串的流动来解读物体的变化。 通过这样的过程,物体的形态在个人的认知中逐渐成型。映在视网膜上的一系列影像成为构成物体的线索,经过解读,个人的视觉体验得以生成。当时间被遗忘、思绪消散,唯有物体本身留下。 本作品的造型正是为“运动”而创作。无数线条汇聚,产生了一个独特的动作姿态。
- Description
- The external world changes with shifts in perspective and the passage of time. What the retina perceives is only a limited and incomplete continuum of images. Yet our consciousness integrates and organizes these images. Even without grasping every aspect of an object, consciousness depicts it in its own unique way—arranging fragments of information and differences in chronological order, interpreting them as a flow that reveals the object’s transformation. Through this process, the form of an object gradually takes shape within personal cognition. The sequence of images imprinted on the retina becomes a clue to constructing the object; once interpreted, it generates an individual’s visual experience. When time is forgotten and thoughts dissolve, only the object itself remains. This work’s form was created for movement: countless lines converge to generate a unique posture in motion.