消失，出现

作品简介: 当人们在滑滑梯的时候，会在入口处消失，一瞬间，从出口处再出现，就像魔法一样。与从上到下的滑行过程相比，“隐藏/显现”这个现象才是滑梯有趣的本质。作者进一步分析了洞穴明亮的外部与黑暗的深处、空间的表里与上下等相互作用的关系，将“隐藏/显现”融入到滑梯的形态中，试图探索一种超越想象的滑行体验。通过设置滑行角度与方向；计算滑行距离和时间；以及考量滑梯的尺度和平衡，最后将空间划分为上下两层，用来探索 “隐藏/显现”。不仅是将多个滑梯排列在一起，而是通过将滑梯在空间中分布、交差、汇合，在其之间建立连接，尝试从更广阔的维度对滑梯进行新的解读。希望通过这种复合设计，重新诠释看似简单的滑行体验，创造出“滑”的景观。这一系列的滑梯群不仅让滑的人感到有趣，还可以从远处观看他人“滑”的动态，并通过视觉享受由双层结构的空间所创造的动态感, 感知到超越体验的奇妙想象。

Description: When playing on a slide, a person disappears instantly at the entrance and reappears just as suddenly at the exit—sometimes feeling almost magical. The true appeal of the slide lies not so much in the movement from top to bottom, but in this very phenomenon of “hidden / revealed.” I analyzed the interplay between light and darkness at a cave’s entrance and depths, the order and chaos embedded in labyrinths, and the verticality of space, then translated the concept of “hidden / revealed” into a rideable form. By distributing, intersecting, and converging these elements in three dimensions, I attempted to reinterpret the slide within a large-scale spatial context. I designed the angles and directions of sliding, the distances and durations from start to finish, as well as the layered spaces of the ground floor and upper floor, where “disappearance / appearance” occurs. This is not a simple juxtaposition of multiple slides, but a composite design through which a new landscape of sliding emerges.

作品简介: 当人们在滑滑梯的时候，会在入口处消失，一瞬间，从出口处再出现，就像魔法一样。与从上到下的滑行过程相比，“隐藏/显现”这个现象才是滑梯有趣的本质。作者进一步分析了洞穴明亮的外部与黑暗的深处、空间的表里与上下等相互作用的关系，将“隐藏/显现”融入到滑梯的形态中，试图探索一种超越想象的滑行体验。通过设置滑行角度与方向；计算滑行距离和时间；以及考量滑梯的尺度和平衡，最后将空间划分为上下两层，用来探索 “隐藏/显现”。不仅是将多个滑梯排列在一起，而是通过将滑梯在空间中分布、交差、汇合，在其之间建立连接，尝试从更广阔的维度对滑梯进行新的解读。希望通过这种复合设计，重新诠释看似简单的滑行体验，创造出“滑”的景观。这一系列的滑梯群不仅让滑的人感到有趣，还可以从远处观看他人“滑”的动态，并通过视觉享受由双层结构的空间所创造的动态感, 感知到超越体验的奇妙想象。

Description: When playing on a slide, a person disappears instantly at the entrance and reappears just as suddenly at the exit—sometimes feeling almost magical. The true appeal of the slide lies not so much in the movement from top to bottom, but in this very phenomenon of “hidden / revealed.” I analyzed the interplay between light and darkness at a cave’s entrance and depths, the order and chaos embedded in labyrinths, and the verticality of space, then translated the concept of “hidden / revealed” into a rideable form. By distributing, intersecting, and converging these elements in three dimensions, I attempted to reinterpret the slide within a large-scale spatial context. I designed the angles and directions of sliding, the distances and durations from start to finish, as well as the layered spaces of the ground floor and upper floor, where “disappearance / appearance” occurs. This is not a simple juxtaposition of multiple slides, but a composite design through which a new landscape of sliding emerges.

吴 笛