- 物质 material (graduate work)
- 解构 deconstruction (Experience)
- 空间装置 Spatial Installation (Image)
- 作品简介
- 制作了10种带有蔬菜质感的圆柱形雕塑。 展台一端配有一米刻度,作品也被恰好切割成一米长。 作品通过将近年来工业化生产的蔬菜和水果那种令人不安的感觉, 以适合加工和运输的圆柱形雕塑形式重新构造,进行了视觉化表达。 同时,由于去除了果梗,形成无始无终的形态, 也成为对现代人类自以为无止境的暴食时代的隐喻。
- Description
- This work consists of ten cylindrical sculptures textured to resemble vegetables. At one end of the display stand is a one-meter scale, and each piece has been precisely cut to a length of one meter. By reconstructing the unsettling quality of today’s industrially produced vegetables and fruits into cylindrical forms optimized for processing and transport, the work visualizes this unease. At the same time, with the stems removed, the sculptures take on an endless form—serving as a metaphor for the modern age of seemingly limitless human gluttony.
- 作品名/Title
-
Cm-VEGE(厘米蔬植)
Cm-VEGE
- 作者名/Artist
-
镰田 拓磨
Takuma Kamata
- 制作年份/Year
- 2015
- 指导教授/Supervising
- 原 研哉/Kenya Hara
- 作品简介
- 制作了10种带有蔬菜质感的圆柱形雕塑。 展台一端配有一米刻度,作品也被恰好切割成一米长。 作品通过将近年来工业化生产的蔬菜和水果那种令人不安的感觉, 以适合加工和运输的圆柱形雕塑形式重新构造,进行了视觉化表达。 同时,由于去除了果梗,形成无始无终的形态, 也成为对现代人类自以为无止境的暴食时代的隐喻。
- Description
- This work consists of ten cylindrical sculptures textured to resemble vegetables. At one end of the display stand is a one-meter scale, and each piece has been precisely cut to a length of one meter. By reconstructing the unsettling quality of today’s industrially produced vegetables and fruits into cylindrical forms optimized for processing and transport, the work visualizes this unease. At the same time, with the stems removed, the sculptures take on an endless form—serving as a metaphor for the modern age of seemingly limitless human gluttony.